
One of the biggest mistakes I see businesses make with video is treating a shoot as a one-video transaction.
Film it.
Edit it.
Post it.
Done.
That's a bit like going to the supermarket, buying an entire chicken and eating one wing.
You've got more to work with.
Start with the content ecosystem
Before a shoot, I like to think about all the places the content could eventually live.
Website.
LinkedIn.
Instagram.
TikTok.
YouTube.
Email.
Presentations.
Advertising.
Sales materials.
The same piece of footage can potentially work across all of them.
It just needs to be captured with that in mind.
Shoot for the edit
If you know you're going to need a 16:9 website film and a bunch of 9:16 social clips, you can't just shoot the exact same way you would for a traditional corporate film.
Composition matters.
Framing matters.
B-roll matters.
Even the questions you ask during an interview matter.
A little bit of planning here can make a massive difference later.
Capture more than the obvious stuff
If I'm filming someone talking about their business, I'm not just interested in them talking.
I want to see them actually doing the thing.
Working with a customer.
Making the product.
Walking into the building.
Having a conversation.
Setting something up.
Laughing with the team.
Looking at something on a screen.
The little moments are often what make the finished edit feel real.
Don't forget photography
If you've already got the lights, cameras and people together, there's a huge opportunity to capture stills at the same time.
Portraits.
Team shots.
Products.
Lifestyle imagery.
Website photography.
Social assets.
It's often far more efficient to create these alongside the video rather than organising another shoot a few weeks later.
And graphics
This is where my graphic design background comes in.
Video doesn't exist in isolation anymore.
A social campaign might need:
- Video
- Photography
- Animated graphics
- Static graphics
- Thumbnails
- Titles
- Infographics
- Branded templates
When those assets are designed together, everything feels much more consistent.
Think campaign, not content piece
This is probably the biggest shift.
Instead of asking:
“What video should we make?”
Ask:
“What do we want to communicate over the next month?”
Then work backwards.
Maybe that means one main film.
Five short clips.
Ten photographs.
Three graphics.
A few quotes.
Some behind-the-scenes content.
Suddenly one production day has created a serious amount of marketing material.
That's much more useful than one shiny video sitting on your website collecting dust.


